Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973
Henry Moore, Stonehenge VIII: Sentinel, 1973

Henry Moore, Stonehenge VIII: Sentinel, 1973

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Barbara Hepworth (1903 – 1975) and Henry Moore (1898 – 1986) both grew up in Yorkshire and claimed the landscape as a formative artistic influence. Specific landscapes continued to inspire them throughout their lives; Moore was so struck by a visit to Stonehenge in 1921 that he created a series of detailed lithographs of the stones some 50 years later. 

In 1979, Moore presented a complete set of his Stonehenge Suite, 1971/73, 18 lithographs and etchings to Wakefield's art collection. To get these lithographs to the gallery Moore drove them to the gallery himself, an act that tells both of his practical nature and his warm feelings towards Wakefield and the gallery.

Each print is bespoke - it is produced on demand (POD) on fine art paper (280gsm): ideal for museum-quality reproductions and gives a gently textured matt surface, using a SwissQ print system: a state-of-the-art, large-format flatbed printer. Swiss-made, it’s fitted with low energy LED lights and cutting-edge UV printing processes, allowing us to print exceptionally precisely, reduce paper waste, and be more energy efficient. The inks used are vegan, VOC, NVC and TPO free.

Frames are handmade from sustainably sourced wood and acrylic plexiglass. We use 90% UV-protected shatter-resistant acrylic glazing to preserve prints from light damage and bleaching. Cast acrylic is a high-quality material, offering many benefits including 92% optical clarity. Cast acrylic is also fully recyclable

Framed prints are delivered ready to hang.

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Europe - £35

Worldwide - £45

Artist Editions and Framed Prints attract higher shipping costs. You can see them here.

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