On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)
On the Thames (Oh How Happy I Could Be with Either?)

On the Thames (Oh How Happy I Could Be with Either?)

£25.00
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French artist James Tissot attracted strong criticism for this depiction of a man and two women on an unchaperoned champagne picnic. It was judged by critics as alluding to prostitution, but this perhaps related to anti-French sentiment of the time. The work was probably commissioned by Kaye Knowles whose wealth came from his grandfather’s Lancashire colliery business. The background contains references to the source of his wealth: a gasworks, coal-freight, smoke from the coal-fired steamships and the Thames itself, vital to British industry.

Each print is bespoke - it is produced on demand (POD) on fine art paper (280gsm): ideal for museum-quality reproductions and gives a gently textured matt surface, using a SwissQ print system: a state-of-the-art, large-format flatbed printer. Swiss-made, it’s fitted with low energy LED lights and cutting-edge UV printing processes, allowing us to print exceptionally precisely, reduce paper waste, and be more energy efficient. The inks used are vegan, VOC, NVC and TPO free.

Frames are handmade from sustainably sourced wood and acrylic plexiglass. We use 90% UV-protected shatter-resistant acrylic glazing to preserve prints from light damage and bleaching. Cast acrylic is a high-quality material, offering many benefits including 92% optical clarity. Cast acrylic is also fully recyclable

Framed prints are delivered ready to hang.

Standard Shipping:

Collection - FREE

Royal Mail Tracked 48 - £5

Royal Mail Tracked 24 - £10

UPS - £12

Europe - £35

Worldwide - £45

Artist Editions and Framed Prints attract higher shipping costs. You can see them here.

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