Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)
Barbara Hepworth, Forms (Brown, Grey and White)

Barbara Hepworth, Forms (Brown, Grey and White)

£25.00
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During World War II, Barbara Hepworth could only draw at night and make a few plaster maquettes as the day was filled with running a nursery school, double cropping a tiny garden for food, and trying to feed and protect the children. Drawings like Forms (Brown, Grey and White), 1941, allowed her to continue thinking about forms in space when she was unable to make physical objects. The crystalline structures relate to stringed sculptures that Hepworth had started making in 1939 and reflected her interest in science.

Wakefield Permanent Art Collection (Presented by Mr W.H. Hepworth, 1944) Copyright: Bowness. Photograph Copyright: Jerry Hardman-Jones. 

Each print is bespoke - it is produced on demand (POD) on fine art paper (280gsm): ideal for museum-quality reproductions and gives a gently textured matt surface, using a SwissQ print system: a state-of-the-art, large-format flatbed printer. Swiss-made, it’s fitted with low energy LED lights and cutting-edge UV printing processes, allowing us to print exceptionally precisely, reduce paper waste, and be more energy efficient. The inks used are vegan, VOC, NVC and TPO free.

Frames are handmade from sustainably sourced wood and acrylic plexiglass. We use 90% UV-protected shatter-resistant acrylic glazing to preserve prints from light damage and bleaching. Cast acrylic is a high-quality material, offering many benefits including 92% optical clarity. Cast acrylic is also fully recyclable

Framed prints are delivered ready to hang.

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Royal Mail Tracked 48 - £5

Royal Mail Tracked 24 - £10

UPS - £12

Europe - £35

Worldwide - £45

Artist Editions and Framed Prints attract higher shipping costs. You can see them here.

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